There are some pieces of writing from my previous degrees with which I feel happy enough that I might like to share them. I’ll be replacing my Revisiting posts some months with FtPA (From the Personal Archive) posts instead. Today, I would like to share one of the journals I wrote for a course on the American Gothic with Sandra Tomc at the University of British Columbia. This one concerns some of the strangeness involved in Edgar Allen Poe’s “The Philosophy of Composition.” As you’ll see, I drew a bit from ideas I explored with Michael Snediker in my undergraduate program, shared in a previous FtPA. At the end of the year, we were to gather these journals together into a final paper. I titled mine “How to Haunt: Journals on the American Gothic.” I might share more of these later.
There is some writing from my previous degrees with which I am sufficiently happy that I might share it in a From the Personal Archives series any month I don’t run the Revisiting series. This one comes from the same class as my essay on the universal library’s myriad problems, Dr. Richard Arias-Hernandez’s Fall 2014 course on Digital Libraries at the University of British Columbia iSchool. This time, I was to take a look at a digital library’s workflow and metadata standards and I decided to look at the Marxists Internet Archive as an exercise in connecting library practice with ideological and institutional constraints.
A Library without Librarians?: The Marxist Internet Archive’s Policies and Standards
The Marxist Internet Archive collects texts, and fragments of texts, from writers who have had some impact on Marxist, communist, socialist, and allied movements. Most of these texts are simple HTML documents viewed directly in a web browser; a number of them are available for download in other formats, most commonly pdf but also in prc, mobi, epub, and odt. Most, but not all, documents have a set of metadata, which the Archive presents in a standard way but which do not always contain the same fields: fields might include when the text was written, when it was first published, the source, who transcribed the text, who proofread the text, who applied HTML markup, and so on. Although the scope appears to be fairly well-defined as original texts or text fragments by Marxist, communist, socialist, or anarchist thinkers, a few scientific and feminist documents are also in the collection with little or insubstantial explanation.
There is some writing from my previous degrees with which I am sufficiently happy that I might share it in a From the Personal Archives series any month I don’t run the Revisiting series. As with last month’s offering, this piece is from Michael Snediker’s 2008-2009 undergraduate course at Queen’s University called American Literature: The Fabulous and the Mundane. And as with that piece, the paper makes more sense alongside the text—Charles W. Chesnutt’s “The Goophered Grapevine” in The Conjure Woman and Other Tales (1899)—but I think this one reads perfectly well even if you know nothing about the original. The last paragraph betrays a lot of my own theoretical preoccupations at the time.
There are some pieces of writing from my previous degrees with which I feel happy enough that I might like to share them. I’ll be replacing my Revisiting posts some months with FtPA (From the Personal Archive) posts instead. Today, I’m offering a short response paper for a 2008 undergraduate course at Queen’s University with Michael Snediker called American Literature: The Fabulous and the Mundane; my paper was based on our readings of Edgar Allan Poe’s The Narrative of Arthur Gordon Pym of Nantucket (1838). This paper is only an undergraduate offering and furthermore reads much better after one has read Pym, but if you haven’t read the novel this might still interest you as an example of a genre.